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Taylor Davis
On view through this week at Horton Gallery (Sunday L.E.S.) is the exhibition boardroom no.1, featuring new sculpture by artist Taylor Davis. The exhibition marks the artist’s eleventh solo exhibition...
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Springing Up at the New Museum: Phyllida Barlow, Tacita Dean & Nathalie Djurberg
Leaving the crowds behind after the frenzied week of Frieze, I headed down to the New Museum after waiting for a month in anticipation to see some of my favorite artists show under one roof. Though...
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White on White
L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley A screenshot of Jean Harlow in her bedroom in Dinner at Eight David Batchelor, in his exquisite little pink book...
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Macho Boogie-Woogie in Mexico
It’s a rainy summer night in Guadalajara. Zooming through the dark, the jeep I’m riding in feels more like a powerboat as it leaves a black wake in the flooded streets. This ain’t no British rain – and...
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Fan Mail: Julia Westerbeke
Using strategies of asymmetry and organic mirroring, Julia Westerbeke explores abstraction as a vehicle of human imagination and a catalyst for subconscious thought. The artist cites science fiction...
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Howardena Pindell at Spelman College Museum of Fine Art
The Spelman College Museum of Fine Art’s current exhibition of Howardena Pindell’s work marks an important moment in the journey of an artist and an institution. The site of Pindell’s first major...
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Fan Mail: Kyle J. Bauer
The sculptures of Kyle J. Bauer have a gamelike quality, a sense of earnest play rarely seen in work made with such formalist rigor. Drawing from maritime navigation and the idea of façade—both as the...
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The Supreme Rifts… A Measured Propinquity at Marian Goodman Gallery
Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun...
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Edward Krasiński: Two Retrospectives
László Beke’s essay in a 1999 exhibition catalog, Global Conceptualism: Points of Origin, 1950s–1980s, synthesizes broad Eastern and Central European conceptualist practices. Within the text, the...
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Monir Shahroudy Farmanfarmaian: Lineages
In a darkened hallway between two galleries in the Savannah College of Art and Design Museum of Art are several brightly lit works by Monir Shahroudy Farmanfarmaian. In this solo exhibition, titled...
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